Uth Shah Hussaina wekh lay

1.
Shahmukhi: اُٹھ شاہ حسینا ویکھ لے اسیں بدلی بیٹھے بھیس
Transliteration: Uth Shah Hussaina wekh lay, aseen badli bethay bhes.
Translation: Rise, Shah Hussain, and see—we have completely altered our guise.
Explanation: A direct call to the 16th-century Sufi poet Shah Hussain. "Bhes" denotes our cultural and spiritual outward identity, which has been lost.

2.
Shahmukhi: ساڈی جند نمانڑی کوکدی اساں رُل گئے وچ پردیس
Transliteration: Saadi jind numanri kookdi, asaan rul gaye vich pardes.
Translation: Our humble soul wails in agony; we have been ruined in an alien land.
Explanation: "Numanri" implies a fragile, unassuming existence; "Pardes" means exile, reflecting a deep alienation even within one's own homeland.

3.
Shahmukhi: ساڈا ہر دم جی کرلاؤندا ساڈی نیر وگاوے اکھ
Transliteration: Saada har dam jee kurlaunda, saadi neer wagawe akh.
Translation: Our heart laments at every moment, and our eyes continuously shed tears.
Explanation: "Kurlaunda" signifies the helpless crying of a bird in distress.

4.
Shahmukhi: اساں جیوندی جانیں مر گئے ساڈا مادھو ہویا وکھ
Transliteration: Asaan jeondi jaaney mar gaye, saada Madho hoya wakh.
Translation: We have perished while still breathing; our Madho has been separated from us.
Explanation: "Madho" refers to Madho Lal, the historic Hindu companion and beloved of Shah Hussain. It is a metaphor for profound separation from one's soulmate.

5.
Shahmukhi: سانوں سپ سمے دا ڈنگدا سانوں پل پل چڑھدا زہر
Transliteration: Saanu sapp samay da dangda, saanu pal pal charhda zehar.
Translation: The serpent of time constantly bites us; moment by moment, its poison ascends.
Explanation: Time is personified as a relentless snake whose venom of suffering slowly paralyzes the soul.

6.
Shahmukhi: ساڈے اندر بیلے خوف دے ساڈے بیلے بݨ گئے شہر
Transliteration: Saaday andar belay khauf de, saaday belay banr gaye shehar.
Translation: Within us exist dark forests of fear; our serene riverbanks have turned into chaotic cities.
Explanation: "Belay" are the tranquil, untamed forests alongside Punjabi rivers (places of romance and mysticism). Their transformation into cities symbolizes the loss of inner peace.

7.
Shahmukhi: اساں شوہ غماں وچ ڈُبدے ساڈی رُڑھ گئی ناؤ پتوار
Transliteration: Asaan shoh ghaman vich dubday, saadi rurh gayi naaw patwaar.
Translation: We are drowning in the deep ocean of grief; our boat and oars have washed away.
Explanation: A classic Sufi metaphor depicting the loss of spiritual guidance amid overwhelming worldly sorrow.

8.
Shahmukhi: ساڈے بولݨ تے پابندیاں ساڈے سر لٹکے تلوار
Transliteration: Saaday bolanr te pabandian, saaday sir latkay talwaar.
Translation: Fetters are placed upon our tongues, and swords hang over our heads.
Explanation: Reflects an environment of repression, censorship, and constant peril.

9.
Shahmukhi: اساں نیناں دے کھوہ گیڑ کے کیتی وتر دل دی بھوں
Transliteration: Asaan nainan de khuh gerr ke, keeti watar dil di bhun.
Translation: Operating the Persian water-wheel of our eyes, we have watered the parched soil of our hearts.
Explanation: "Khuh" is a traditional Persian well. Weeping endlessly is compared to an agricultural wheel irrigating the heart's barren land.

10.
Shahmukhi: ایہہ بنجر رئی نمانڑی سانوں سجنڑ تیری سونہہ
Transliteration: Eh banjar rahi numanri, saanu sajjanr teri soonh.
Translation: Yet this humble soil remained barren; Beloved, I swear this by your name!
Explanation: Despite the continuous tears, the heart remains unable to grow the harvest of love.

11.
Shahmukhi: اساں اُتوں شانت جاپدے ساڈے اندر لگی جنگ
Transliteration: Asaan uton shaant jaapday, saaday andar lagi jang.
Translation: Outwardly, we appear to be at absolute peace, but a fierce war wages inside us.
Explanation: The contrast underscores the hidden, silent turmoil of a mystic.

12.
Shahmukhi: سانوں چُپ چپیتا ویکھ کے پئے آکھݨ لوک ملنگ
Transliteration: Saanu chup chapeeta wekh ke, paye aakhanr lok malang.
Translation: Observing our silent composure, the people have begun calling us mystics (Malang).
Explanation: Society mistakes trauma-induced silence for spiritual asceticism.

13.
Shahmukhi: اساں کُھبے غم دے کھوبڑے ساڈے لمے ہو گئے کیس
Transliteration: Asaan khubbay gham de khobray, saaday lammay ho gaye kes.
Translation: We are deeply stuck in the swamps of sorrow; our hair has grown long and unkempt.
Explanation: The unkempt hair is the universal symbol of a lover who has abandoned worldly care.

14.
Shahmukhi: پا تانڑے بانڑے سوچدے اساں بُݨدے رہندے کھیس
Transliteration: Paa taanay baanay soch de, asaan bunday rehnday khes.
Translation: Laying the warp and weft of our anxious thoughts, we continuously weave a blanket of grief.
Explanation: A beautiful weaving metaphor ("Taanay Baanay") comparing overthinking to the weaving of a heavy winter shawl ("Khes").

15.
Shahmukhi: ہݨ چھیتی بوہڑیں بلھیا ساڈی سولی ٹنگی جان
Transliteration: Hun cheeti bohreen Bulleya, saadi sooli tangi jaan.
Translation: Run quickly to our aid now, Bulleh Shah! Our very life hangs upon the gallows.
Explanation: The poet now calls out to the legendary mystic poet Baba Bulleh Shah for spiritual rescue.

16.
Shahmukhi: تینوں واسطہ شاہ عنایت دا نہ توڑیں ساڈا مانڑ
Transliteration: Tenu wasta Shah Inayat da, na toreen saada maanr.
Translation: For the sake of your master, Shah Inayat, do not shatter our hope.
Explanation: Shah Inayat Qadiri was the beloved spiritual master (Murshid) of Bulleh Shah.

17.
Shahmukhi: اساں پیریں پا لئے گھنگرو ساڈی پاوے جند دھمال
Transliteration: Asaan pereen paa laye ghunghroo, saadi paway jind dhamal.
Translation: We have tied bells to our ankles, and our very soul dances the Dhamal.
Explanation: "Dhamal" is the ecstatic, trance-like dance performed by Sufis, historically associated with Lal Shahbaz Qalandar.

18.
Shahmukhi: ساڈی جان لباں تے اپڑی ہݨ چھیتی مکھ وکھال
Transliteration: Saadi jaan laban te apri, hun cheeti mukh wakhaal.
Translation: Our life is now barely hanging upon our lips; quickly reveal your face to us.
Explanation: The soul is on the verge of leaving the body; only the Beloved's glimpse can grant it peace.

19.
Shahmukhi: ساڈے سر تے سورج ہاڑھ دا ساڈے اندر سیت سیال
Transliteration: Saaday sir te sooraj haarh da, saaday andar seet siyaal.
Translation: The scorching summer sun beats on our heads, while a freezing winter resides within.
Explanation: "Haarh" is the peak of summer, and "Siyaal" is the dead of winter—a paradox highlighting internal emotional freezing amid external torment.

20.
Shahmukhi: بݨ چھاں ہݨ چیتر رُکھ دی ساڈے اندر بھانبڑ بال
Transliteration: Banr chhan hun chetar rukh di, saaday andar bhaanbar baal.
Translation: Become the cooling shade of a Spring tree, for roaring fires are blazing inside us.
Explanation: A plea for the Divine to bring the soothing breeze of "Chetar" (Spring) to extinguish the internal fires.

21.
Shahmukhi: اساں مچ مچایا عشق دا ساڈا لوسیا اک اک لوں
Transliteration: Asaan mach machaya ishq da, saada luseya ik ik loon.
Translation: We ignited the blazing bonfire of love, and every single pore of our body has been singed.
Explanation: "Mach" is a massive communal bonfire; love is portrayed as an all-consuming fire.

22.
Shahmukhi: اساں خود نوں بھلے سانولا اساں ہر دم جپیا توں
Transliteration: Asaan khud nu bhullay saanwla, asaan har dam japeya tu.
Translation: We have forgotten our own existence, Dark Beloved; we only chant your name in every breath.
Explanation: "Saanwla" (The Dark/Dusky One) is an affectionate term often used for Ranjha, Krishna, or the Divine.

23.
Shahmukhi: سانوں چنتا چخا چڑھانڑ دی ساڈے تڑکݨ لگے ہڈ
Transliteration: Saanu chinta chikha charhanr di, saaday tarkanr lagay hadd.
Translation: We are worried about being mounted onto the funeral pyre; our bones have begun to crack under the pressure.
Explanation: The crushing weight of anxiety and approaching death.

24.
Shahmukhi: پھڑ لیکھاں برچھی دکھ دی ساڈے سینے دتی گڈ
Transliteration: Phar lekhaan barchi dukh di, saaday seenay ditti gadd.
Translation: Destiny grasped the spear of suffering and firmly planted it into our chests.
Explanation: "Lekhaan" means fate or destiny.

25.
Shahmukhi: اساں دھر توں دکھڑے چاگدے ساڈے لیکھے لکھیا سوگ
Transliteration: Asaan dhur tun dukhray chaagday, saaday lekhay likheya sog.
Translation: We have been bearing agonies since the beginning of time; mourning is permanently inscribed into our fate.
Explanation: "Dhur" refers to the primordial beginning of creation.

26.
Shahmukhi: ساڈی واٹ لمیری دکھ دی ساڈے عمروں لمے روگ
Transliteration: Saadi waat lamayri dukh di, saaday umron lammay rog.
Translation: Our path of sorrow is agonizingly long; our ailments outlast lifetimes.
Explanation: Suffering is presented not as a temporary phase, but an eternal journey.

27.
Shahmukhi: ساڈے ویہڑے پھوہڑی دکھ دی ساڈا رو رو چویا نور
Transliteration: Saaday vehray phuhrhi dukh di, saada ro ro choya noor.
Translation: In our courtyard lies the mourning mat of grief; weeping endlessly has drained the light from our eyes.
Explanation: "Phuhrhi" is the straw mat laid out when someone passes away, representing perpetual mourning.

28.
Shahmukhi: ایہہ اوکڑ ساڈی ٹال دے تیرا جیوے شہر قصور
Transliteration: Eh okar saadi taal de, tera jeeway shehar Qasur.
Translation: O Lord, please avert this affliction from us; may your city of Qasur forever live.
Explanation: Kasur is the city of Baba Bulleh Shah. It is invoked as a sacred sanctuary.

29.
Shahmukhi: آ ویکھ سخن دیا وارثا تیرے جنڈیالے دی خیر
Transliteration: Aa wekh sukhan deya Waarisa, teray Jandialay di khair.
Translation: Come see, O Waris (Waris Shah), inheritor of poetry, may your village Jandiala be safe.
Explanation: An invocation to Waris Shah, author of the epic Heer. He belonged to the village of Jandiala Sher Khan.

30.
Shahmukhi: اج پتر بولی ماں دے پئے ماں نال رکھݨ ویر
Transliteration: Aj putar boli maan de paye, maan naal rakhanr wair.
Translation: Today, the sons of the mother tongue have begun harboring enmity against the mother herself.
Explanation: A sharp cultural critique. Punjabis are abandoning their native language (Maa Boli).

31.
Shahmukhi: اج ہیر تیری پئی سیکدی اج کیدو چڑھیا زنگ
Transliteration: Aj Heer teri payi sekdi, aj Kaido charheya zang.
Translation: Today, your Heer suffers in the heat of torment; today the toxicity of Kaido has rusted us.
Explanation: Heer represents love and Punjab, while Kaido (her villainous uncle) represents society's venom and sabotage.

32.
Shahmukhi: اج تخت ہزارے ڈھے گئے اج اجڑیا تیرا جھنگ
Transliteration: Aj Takht Hazaray dhay gaye, aj ujreha tera Jhang.
Translation: Today, the glory of Takht Hazara has crumbled; today your city of Jhang lies utterly ruined.
Explanation: Takht Hazara was Ranjha's hometown; Jhang was Heer's. Both represent the decaying capitals of Punjabi romance.

33.
Shahmukhi: اج ویلے ہو گئے سنجڑے اج سکیا ویکھ چناء
Transliteration: Aj welay ho gaye sunjray, aj sukya wekh Chanaa.
Translation: Today, the times have grown utterly desolate; look, the river Chenab itself has dried up.
Explanation: The Chenab river is the heart of Punjabi love legends. Its drying symbolizes the death of romance in the culture.

34.
Shahmukhi: اج پھرن آزردہ رانجھڑے اج کھیڑے کردے چاہ
Transliteration: Aj phiran aazurda Ranjhray, aj Kheray karday chaah.
Translation: Today, lovers like Ranjha wander in despair, while the rival Kheras celebrate in joy.
Explanation: The Kheras were the rival clan Heer was forced to marry. They symbolize societal oppression winning over true love.

35.
Shahmukhi: اج ٹٹی ونجھلی پریت دی اج مکے سکھ دے گیت
Transliteration: Aj tutti wanjhli preet di, aj mukkay sukh de geet.
Translation: Today, the flute of love is broken; the songs of peace and joy have met their end.
Explanation: The "Wanjhli" is Ranjha's legendary flute.

36.
Shahmukhi: بݨ جوگی درد ٹٹولیا سانوں کوئی نہ ملیا میت
Transliteration: Banr jogi dard tatoleya, saanu koi na mileya meet.
Translation: We became an ascetic and searched through our pain, yet we found no true companion.
Explanation: A reference to Ranjha becoming a Jogi to find Heer.

37.
Shahmukhi: اساں اکھر موتی رولدے اساں در در لاؤندے واج
Transliteration: Asaan akhar moti rolday, asaan darr darr launday waaj.
Translation: We scatter the pearls of our words; we call out at every single doorstep.
Explanation: Sharing profound spiritual wisdom (pearls) in a world that doesn't value them.

38.
Shahmukhi: کوئی لبھے ہیر سیالڑی جیہڑی رنگے اپنا داج
Transliteration: Koi labhay Heer Siyalri, jehri rangay apna daaj.
Translation: So that we may find a genuine Heer of the Sials, who would dye her own dowry in love's color.
Explanation: The poet hopes his words will awaken a true seeker (like Heer) preparing her spiritual dowry for the Divine.

39.
Shahmukhi: ساڈے ہتھ پیالہ زہر دا اساں ویلے دے سقراط
Transliteration: Saaday hath piyala zehar da, asaan welay de Suqraat.
Translation: In our hands is a cup of poison; we are the Socrates of our age.
Explanation: Comparing the mystic's societal rejection to Socrates drinking hemlock for speaking the truth.

40.
Shahmukhi: اساں کھنڈ بݨاندے کھار نوں ساڈی جگ توں وکھری بات
Transliteration: Asaan khand banranday khaar nu, saadi jagg tu wakhri baat.
Translation: We transform bitter ashes into sweet sugar; our tale is unlike any other in the world.
Explanation: The alchemical power of Sufism to turn pain into grace.

41.
Shahmukhi: اٹھ جاگ فریدا ستیا ہݨ کر کوئی تدبیر
Transliteration: Uth jaag Fareeda sutteya, hun kar koi tadbeer.
Translation: Arise from your slumber, Khwaja Farid, and now devise some remedy.
Explanation: Calling upon the pioneer of Punjabi poetry, Hazrat Baba Fariduddin Ganjshakar.

42.
Shahmukhi: جند ہجر کڑاہے پھس کے اج ہو گئی لیرو لیر
Transliteration: Jind hijar karahay phas ke, aj ho gayi leero leer.
Translation: Our soul, trapped in the boiling cauldron of separation, has today been torn to absolute shreds.
Explanation: "Karahay" refers to massive boiling pots.

43.
Shahmukhi: سانوں جوبن لٹے ویکھ کے سب آکھݨ بابا لوگ
Transliteration: Saanu joban lutay wekh ke, sab aakhanr baba log.
Translation: Seeing our youth stripped away by grief, the people now address us as "Baba" (Old Man).
Explanation: Suffering has aged the lover prematurely.

44.
Shahmukhi: کس کھویا ساڈا جوبنڑا سانوں کیہا لگا روگ
Transliteration: Kis khoya saada jobanra, saanu keha lagga rog.
Translation: Who has plundered our beautiful youth? What terrible disease has latched onto us?
Explanation: A sorrowful reflection on lost vitality.

45.
Shahmukhi: اساں پیڑاں دا ونج پالیا سانوں دکھاں چاڑھی پانڑ
Transliteration: Asaan peerhan da wanj paaleya, saanu dukhan charrhi paanr.
Translation: We have set up a lifelong trade in agony; sorrows have sharpened our blades.
Explanation: "Paanr" refers to the sharp temper applied to steel by blacksmiths.

46.
Shahmukhi: سانوں غم دا پینجا پِنجدا ساڈے تُمبے اڈدے جان
Transliteration: Saanu gham da penja pinjda, saaday tumbay uḍḍ-de jaan.
Translation: The cotton-carder of grief cards us; the very fibers of our being fly away.
Explanation: A beautiful rural metaphor. Like cotton beaten and separated by a carding bow, the soul is pulled apart by sorrow.

47.
Shahmukhi: اساں بیجے رُکھ انار دے سانوں لبھے تُمے کَوڑ
Transliteration: Asaan beejay rukh anaar de, saanu labhay tummay kaurr.
Translation: We planted sweet pomegranate trees, but were rewarded with bitter desert gourds.
Explanation: A lament about receiving pain in exchange for love. "Tumma" is a highly bitter fruit.

48.
Shahmukhi: اساں مرن دیہاڑ اُڈیکدے ساڈی ودھدی جاوے سَوڑ
Transliteration: Asaan maran dihaar uḍeekde, saadi wadhti jawe saor.
Translation: We await the day of our death, yet our suffocating anguish only goes on increasing.
Explanation: "Saor" implies a feeling of cramped suffocation or narrowing walls.

49.
Shahmukhi: ساڈے سر تے رُکھ بلور دے ساڈی دھپوں گہری چھاں
Transliteration: Saaday sir te rukh baloor de, saadi dhuppon gehri chhaan.
Translation: Adorned on our heads are trees of crystal; our shade is harsher than the blazing sun.
Explanation: Glass/crystal trees provide no shade; instead, they act as magnifying glasses that burn the seeker even more.

50.
Shahmukhi: ساڈے تنبو ساڑے سورجیں ساڈی لُوسے دھرتی ماں
Transliteration: Saaday tanboo saaray soorjain, saadi loosay dharti maa.
Translation: The suns have scorched our tents, and our mother earth is singed beneath us.
Explanation: Symbolizes feeling unprotected from heavenly trials and earthly hardships.

51.
Shahmukhi: ساڈی اُجڑی حالت ویکھ کے پا رحمت دی اک جھات
Transliteration: Saadi ujri haalat wekh ke, paa rehmat di ik jhaat.
Translation: Looking upon our utterly ruined state, cast a single glance of mercy.
Explanation: A plea for divine grace.

52.
Shahmukhi: ساڈے سر توں انھی رات نوں ہُن کر سائیاں شبرات
Transliteration: Saaday sir toon anhi raat nu, hun kar saaiyaan shabrat.
Translation: O Master, lift this blind night from our heads, and turn it into the Night of Salvation (Shab-e-Barat).
Explanation: Transforming spiritual darkness into a night of divine forgiveness.

53.
Shahmukhi: ہُن آ باہو سُلطانیا سانوں درداں لیا لتاڑ
Transliteration: Hun aa Bahoo Sultaneah, saanu dardaan leya lataar.
Translation: Come now, O Hazrat Sultan Bahu—sorrows have severely trampled us.
Explanation: Calling upon the revered Sufi saint Sultan Bahu of Jhang.

54.
Shahmukhi: اَج توڑ زنجیری دُکھ دی اَج "ھُو" دا نعرہ مار
Transliteration: Aj torr zanjeeri dukh di, aj "Hoo" da naara maar.
Translation: Today, shatter the chains of sorrow; today, raise the sacred chant of "Hoo!"
Explanation: "Hoo" (He/God) is the signature chant of Sultan Bahu's poetry and order.

55.
Shahmukhi: سانوں الف پڑھا دے پیاریا ساڈی مُک جائے بے دی لوڑ
Transliteration: Saanu Alif parhaa de pyareya, saadi muk jaye Be di loṛ.
Translation: Beloved, teach us the letter Alif, so that our need for the letter Be comes to an end.
Explanation: "Alif" stands for Allah (The One), while "Be" signifies everything else. To know the One is to need nothing else.

56.
Shahmukhi: مَن مُشّکے بوٹی عشق دی سب نِکلے دل دی کَوڑ
Transliteration: Man mushkay booti ishq di, sab niklay dil di kaurr.
Translation: When the fragrant herb of love blooms in the mind, all the bitterness of the heart is expelled.
Explanation: "Kaurr" means bitter toxicity. Love acts as a healing fragrance.

57.
Shahmukhi: ایتھے تِڑدے سب ایمان تے ایتھے اُڈدی عشق دی دھُوڑ
Transliteration: Ethe tiṛde sab imaan te, ethe uḍdi ishq di dhooṛ.
Translation: Here, all traditional faiths crack and tremble, and here only the dust of Love flies unbounded.
Explanation: The path of Ishq (Love) is so intense that orthodox dogmas shatter upon it.

58.
Shahmukhi: جو عشق سلامت منگدا پھڑ اُس نوں لیندے نُوڑ
Transliteration: Jo ishq salamat mangda, phaṛ os nu lenday noorr.
Translation: Whoever tries to keep their love cautiously safe is seized and tightly bound by fate.
Explanation: Love requires reckless abandon. Those who try to play it safe are ultimately restricted and trapped.

59.
Shahmukhi: ساڈا تالو جاوے سُکدا ساڈی ودھدی جاوے پیاس
Transliteration: Saada taaloo jaawe sukda, saadi wadhdi jaawe pyaas.
Translation: The roofs of our mouths dry up, and our spiritual thirst goes on escalating.
Explanation: Unquenchable longing for the Divine.

60.
Shahmukhi: بن بدل ساون ماہ دا ساڈی پوری کر دے آس
Transliteration: Ban badal Sawan maah da, saadi poori kar de aas.
Translation: Become the raincloud of the Sawan (monsoon) month, and fulfill our deepest hopes.
Explanation: The monsoon brings life to the parched Punjabi soil.

61.
Shahmukhi: اساں اپنی قبرے آپ ہی لئے لہو دے دیوے بال
Transliteration: Asaan apni qabray aap hi laye lahu de deevay baal.
Translation: We ourselves have lit the lamps of our own blood upon our graves.
Explanation: A striking image of ultimate self-sacrifice and martyrdom in love.

62.
Shahmukhi: اساں بے دَرداں دے شہر وِچ ایہ کیتا نواں کمال
Transliteration: Asaan be-dardaan de shehar vich eh keeta nawaan kamaal.
Translation: In the city of the heartless, we have manifested this marvel anew.
Explanation: Practicing pure love in a society completely devoid of empathy.

63.
Shahmukhi: سائیں دمڑی شاہ دیا پیاریا تیرا جیوے سیف ملوک
Transliteration: Saeen Dumri Shah deya pyareya, tera jeeway Saif Malook.
Translation: O beloved disciple of Saint Dumri Shah, may your tale 'Saif-ul-Malook' live forever!
Explanation: Invoking Mian Muhammad Bakhsh, author of the legendary Sufi epic Saif-ul-Malook.

64.
Shahmukhi: ساڈے دیدے ترسن دید نوں ساڈے دل چوں اُٹھدی ہوک
Transliteration: Saaday deeday tarsan deed nu, saaday dil choon uṭhdi hook.
Translation: Our eyes painfully thirst for a vision; from the depths of our hearts rises a mournful cry (hook).
Explanation: "Hook" is a visceral wail of longing.

65.
Shahmukhi: سانوں گُڑھتی دے دے سُخن دی ساڈی کر دے صاف زبان
Transliteration: Saanu guṛhti de de sukhan di, saadi kar de saaf zubaan.
Translation: Feed us the first morsel (Ghutti) of sacred poetry, so that our tongues may be cleansed.
Explanation: "Ghutti" is the sweet bite given to a newborn. The poet asks the masters to initiate him into poetry.

66.
Shahmukhi: سانوں بُکّل وِچ لپیٹ کے ہُن بخشو عِلم گیان
Transliteration: Saanu bukkal vich lapeet ke, hun bakhsho ilm gyaan.
Translation: Enfold us inside your shawl (bukkal), and bestow upon us esoteric wisdom (gyaan).
Explanation: "Bukkal" represents protection and intimate spiritual transmission from a master.

67.
Shahmukhi: اساں راتیں اُٹھ اُٹھ پِٹدے ساڈے کالجے پئے گئی سوج
Transliteration: Asaan raatin uṭh uṭh piṭ-day, saaday kaaljay paye gayi sooj.
Translation: Night after night we wake up and beat our chests; our livers have swollen with grief.
Explanation: The liver (Kaalja) in Punjabi metaphor is the seat of deep courage and emotional pain.

68.
Shahmukhi: اساں چَھم چَھم روندے پیاریا سانوں ہر دم تیری کھوج
Transliteration: Asaan chham chham rondey pyareya, saanu har dam teri khoj.
Translation: We weep in torrential rain (chham chham), Beloved; at every moment we are in search of you.
Explanation: The repetitive "chham chham" mirrors the sound of endless rainfall.

69.
Shahmukhi: اساں موہرا پِیتا سچ دا ساڈے نِیلے ہو گئے بُلھ
Transliteration: Asaan mohra peeta sach da, saaday neelay ho gaye bullh.
Translation: We drank the fatal poison of Truth, and our lips have turned blue.
Explanation: A beautiful echo of Socrates or Lord Shiva—speaking the truth in this world is akin to drinking poison.

70.
Shahmukhi: اساں رہ گئے کلّم کلّڑے ساڈا ویری ہویا کُل
Transliteration: Asaan reh gaye kallam kallṛay, saada veri hoya kull.
Translation: We have been left utterly and entirely alone; the entire universe (kull) has become our enemy.
Explanation: The tragic isolation faced by those who walk the path of Sufi truth.

71.
Shahmukhi: ساڈے نَینِیں نِیندر رُس کے جا پُہنچی کیہڑے دیس
Transliteration: Saaday naneen neendar rus ke ja puhnchi kehṛay des.
Translation: Sleep has sulked away from our eyes, wandering off to some unknown, distant land.
Explanation: Personifying sleep as a lover who has become offended and left forever.

72.
Shahmukhi: ہر راتیں چَھویاں مار دے سانوں لیف سرہانے کھیس
Transliteration: Har raateen chhaviyan maar de, saanu leef sirhanay khes.
Translation: Every night, the quilt, the pillow, and the blankets strike us like battle-axes.
Explanation: "Chhaviyan" are sharp blades. Even the comforts of a bed become instruments of torture during separation.

73.
Shahmukhi: آ کوٹ مِٹھن دیا والیا لے جھبدے ساڈی سار
Transliteration: Aa Kot Mithan deya Waaleya, le jhab-de saadi saar.
Translation: Come, O Master of Kot Mithan, quickly take us under your care.
Explanation: Addressing Khwaja Ghulam Farid, the renowned Sufi saint whose shrine is in Kot Mithan.

74.
Shahmukhi: ہِک تِکھڑا نین نوکیلڑا ساڈے دل تِھیں ہویا پار
Transliteration: Hik tikhṛa nain nukeelṛa, saaday dil theen hoya paar.
Translation: A sharp, pointed, spear-like glance has pierced right through our heart.
Explanation: The power of the Beloved's eyes to fatally wound the lover.

75.
Shahmukhi: سانوں چڑھیا تَیئیا ہِجر دا ساڈا کر لے کوئی توڑ
Transliteration: Saanu chaṛheya taiya hijar da, saada kar le koi toṛ.
Translation: The tertiary fever of separation has gripped us; devise some cure for us.
Explanation: "Taiya" refers to a severe form of malaria that peaks every third day.

76.
Shahmukhi: سانوں بِرہن جوکاں لگیاں ساڈا لِتا لہو نچوڑ
Transliteration: Saanu birhon jokaan lageeyan, saada litta lahu nichoṛ.
Translation: The leeches of separation (birhon) have latched onto us, completely draining our blood.
Explanation: Visceral imagery of suffering parasitic withdrawal from love.

77.
Shahmukhi: اساں اپنے ہی گل لگ کے نِت پائیے سو سو وَین
Transliteration: Asaan apnay hi gal lag ke, nit paaiye sau sau wain.
Translation: Embracing our own selves, we cry hundreds of mourning wails every single day.
Explanation: "Wain" is the loud, ritualistic mourning for the dead. The lover is mourning himself.

78.
Shahmukhi: ساڈی آ قسمت نوں چِمبڑی اِک بھکھاں ماری ڈین
Transliteration: Saadi aa qismat nu chimbaṛi ik bhukhan maari dain.
Translation: A starving, ravenous witch (dain) has clung herself to our fate.
Explanation: Misfortune is personified as a supernatural witch consuming their destiny.

79.
Shahmukhi: ایہنوں کِیلو منتر پھوک کے ایہنوں کڈھو دیسوں دور
Transliteration: Ehnu keelo mantar phook ke, ehnu kaḍho desoon door.
Translation: Bind her by blowing sacred mantras over her, and banish her far away from this land.
Explanation: A plea for exorcism of bad fate.

80.
Shahmukhi: ایہہ پِچھل پیری اوتری ایتھے بن بن بیٹھے حور
Transliteration: Eh pichhal-peri otri, ethe ban ban bethe hoor.
Translation: This wretched, backward-footed demoness is sitting here posing as a heavenly Houri!
Explanation: "Pichhal-Peri" is a folklore demon with her feet facing backward. It critiques the hypocrisy of society where demons mask themselves as angels.

81.
Shahmukhi: اَج پے گیا کال پریت دا اَج نفرت کیتا زور
Transliteration: Aj pe gaya kaal pareet da, aj nafrat keeta zor.
Translation: Today, the era of love is facing a famine; and hatred has asserted its forceful power.
Explanation: A poignant critique of modern society's loss of empathy.

82.
Shahmukhi: کر تتّا لوگڑ پریم دا ساڈے جُسے کرو ٹکور
Transliteration: Kar tatta logaṛ prem da, saaday jussay karo ṭakor.
Translation: Warm the cotton-swab of love, and gently foment our aching bodies.
Explanation: "Takor" is a traditional medical remedy where a hot cloth is pressed to relieve pain.

83.
Shahmukhi: توں بھُنے پیڑ پراگڑے، توں پیتی گھول رسونت
Transliteration: Tun bhunnay peeṛ paraagṛay, tun peeti ghol rasaunt.
Translation: You roasted whole batches of pain, and you willingly drank the bitterest extract.
Explanation: "Paraagra" is a batch of grains roasted in a hot pan. "Rasaunt" is a famously bitter herb. The line pays tribute to Shah Hussain's willingness to endure immense pain for his art.

84.
Shahmukhi: تیرا لکھیا گاون کڈھدے، کئی سر دے شاہ کلاونت
Transliteration: Tera likheya gaawan kadh-day, kayi sur de shah kalawant.
Translation: Many great kings of classical melody (Kalawants) draw their songs from the poetry you wrote.
Explanation: Honoring how the great Punjabi classical singers historically utilize Sufi poetry.

85.
Shahmukhi: پا چھاپاں چھلے پہنچیاں، لا ٹِکہ نتھ پازیب
Transliteration: Paa chaapaan chalay pohanchiyan, laa ṭikka nath pazaib.
Translation: Adorning her with rings, wristbands, a forehead jewel, a nose-ring, and anklets.
Explanation: The Mother Tongue (Punjabi) is compared to a beautiful bride being decorated with linguistic ornaments by her poets.

86.
Shahmukhi: توں ورت کے لفظ انوکھڑے، بھری ماں بولی دی جیب
Transliteration: Tun varat ke lafz anokhṛay, bhari maa boli di jaib.
Translation: By utilizing rare and wondrous words, you have filled the pockets of the Mother Tongue.
Explanation: Honoring the poets who expanded the vocabulary and beauty of Punjabi literature.

87.
Shahmukhi: تساں سب سچے سُچڑے، رل پیش کرو فریاد
Transliteration: Tusaan sab sachay suchṛay, ral pesh karo faryaad.
Translation: O all of you, genuine and pure souls, gather together and present an earnest plea.
Explanation: A call for collective prayer.

88.
Shahmukhi: رب ماں بولی دا اُجڑیا گھر، پھیر کرے آباد
Transliteration: Rab maa boli da ujṛeya ghar, pher karay aabaad.
Translation: May God Almighty once again populate the ruined house of our Mother Tongue.
Explanation: The ultimate prayer for the cultural revival of Punjab.

89.
Shahmukhi: چل چھڈ ندیما قادری، ہُن کر دے پُور کلام
Transliteration: Chal chhaḍ Nadeema Qadri, hun kar de poor kalaam.
Translation: Come now, let it be, Nadeem Qadri—conclude your poetic discourse.
Explanation: The poet uses his pen name (Takhallus) to draw the epic lamentation to a close.

90.
Shahmukhi: توں سیوک بولی ماں دا، تیرا جگ تے رہنا ناں
Transliteration: Tun sewak boli maa da, tera jagg te rehna naa.
Translation: You are a devoted servant of the Mother Tongue; your name shall forever remain in the world!
Explanation: A beautiful concluding blessing that anyone who serves the language will achieve immortality through their words.